{"id":459,"date":"2009-05-12T13:31:03","date_gmt":"2009-05-12T13:31:03","guid":{"rendered":"http:\/\/blogs.ess-edu.pt\/ap12a2008\/?p=459"},"modified":"2009-05-12T13:31:03","modified_gmt":"2009-05-12T13:31:03","slug":"testa-os-teus-conhecimentos-%e2%80%9c-memorial-do-convento%e2%80%9d","status":"publish","type":"post","link":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/2009\/05\/12\/testa-os-teus-conhecimentos-%e2%80%9c-memorial-do-convento%e2%80%9d\/","title":{"rendered":"TESTA OS TEUS CONHECIMENTOS: \u201c Memorial do Convento\u201d"},"content":{"rendered":"

1 – \u201cMemorial do Convento\u201d faz a exalta\u00e7\u00e3o da ac\u00e7\u00e3o governativa de D. Jo\u00e3o V.<\/span><\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n2 – \u201cMemorial do Convento\u201d apresenta-nos uma vis\u00e3o restrita do Portugal do in\u00edcio do s\u00e9culo XVIII.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n3 – \u201cMemorial do Convento\u201d \u00e9 uma narrativa hist\u00f3rica que abrange cerca de 30 anos (1711-1739) da Hist\u00f3ria do Portugal do s\u00e9culo XVIII.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro <\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n4 – Em \u201cMemorial do Convento\u201d, hist\u00f3ria e fic\u00e7\u00e3o constituem um todo.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n5 – \u201cMemorial do Convento\u201d n\u00e3o se afasta do conceito tradicional de romance hist\u00f3rico.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n6 – \u201cMemorial do Convento\u201d pode ser considerado um romance hist\u00f3rico de interven\u00e7\u00e3o social, porque o paralelo com a situa\u00e7\u00e3o de ditadura, que se viveu no Portugal dos anos 30 aos anos 70 do s\u00e9culo XX, \u00e9 constantemente sublinhado.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n7 – H\u00e1, tamb\u00e9m, alguns cr\u00edticos liter\u00e1rios que consideram \u201cMemorial do Convento\u201d um romance de espa\u00e7o, uma vez que h\u00e1 toda uma atmosfera epocal criada a partir da refer\u00eancia a espa\u00e7os, h\u00e1bitos e costumes que recriam um determinado ambiente hist\u00f3rico-social.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro <\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n8 – \u00c9 a partir dos pressupostos filos\u00f3ficos e pol\u00edticos que Jos\u00e9 Saramago vai construir o romance \u201cMemorial do Convento\u201d.<\/strong><\/span><\/span><\/p>\n

a)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n9 – Para Saramago, a omnipot\u00eancia do narrador \u00e9 inquestion\u00e1vel.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/p>\n

10 – Toda a narrativa \u00e9 produto da mem\u00f3ria do narrador.<\/span><\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/p>\n

11 – O estilo de Saramago caracteriza-se pela manuten\u00e7\u00e3o das regras do discurso liter\u00e1rio tradicional.<\/span><\/span><\/strong><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n12 – A constru\u00e7\u00e3o do convento de Mafra e a hist\u00f3ria de amor entre Baltasar e Blimunda s\u00e3o os eixos estruturadores do romance.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n13 – A ac\u00e7\u00e3o principal inicia-se com D. Jo\u00e3o V a ir ao quarto da esposa para conseguir um herdeiro para o trono.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n14 – A ac\u00e7\u00e3o principal inicia-se com Baltasar a assistir ao auto-de-f\u00e9. Entre os condenados pela Inquisi\u00e7\u00e3o, encontra-se Sebastiana Maria de Jesus.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n15 – Enquanto leitores, assistimos ao desvario megal\u00f3mano do rei e ao imenso sofrimento do povo (oper\u00e1rios escorreitos e estropiados, cegos, paral\u00edticos).<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n16 – O narrador de \u201cMemorial do Convento\u201d “viaja” ao longo do tempo, construindo um tempo uno.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro <\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n17 – O narrador, que se move entre passado e presente, controla a ac\u00e7\u00e3o e as personagens, antecipando-se ao futuro e, muitas vezes, emitindo opini\u00f5es e ju\u00edzos de valor direccionados claramente ao narrat\u00e1rio, talvez mesmo ao p\u00fablico leitor do s\u00e9culo XX.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n18 – \u201cMemorial do Convento\u201d n\u00e3o suscita uma profunda reflex\u00e3o sobre a condi\u00e7\u00e3o humana.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/p>\n

19 – \u201cMemorial do Convento\u201d eleva o povo a verdadeiro her\u00f3i da constru\u00e7\u00e3o do convento de Mafra.<\/span><\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n20 – A den\u00fancia da situa\u00e7\u00e3o miser\u00e1vel do povo constitui um dos eixos fundamentais de \u201cMemorial do Convento\u201d.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso <\/span><\/span><\/p>\n


\n21 – Na verdade, a primeira impress\u00e3o que se tem ao ler um texto de Saramago \u00e9 que o seu estilo, a sua linguagem brotam de uma forma intempestiva, subvertendo as regras, tradicionalmente , aceites como “correctas”.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n


\n22 – Durante nove anos Blimunda procura Baltasar e vai encontr\u00e1-lo em Lisboa, a ser queimado num auto-de-f\u00e9.<\/strong><\/span><\/span><\/p>\n

a)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Verdadeiro<\/span><\/span><\/p>\n

b)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/span>Falso<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

1 – \u201cMemorial do Convento\u201d faz a exalta\u00e7\u00e3o da ac\u00e7\u00e3o governativa de D. Jo\u00e3o V.<\/p>\n

a) Verdadeiro<\/p>\n

b) Falso<\/p>\n

2 – \u201cMemorial do Convento\u201d apresenta-nos uma vis\u00e3o restrita do Portugal […]<\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-459","post","type-post","status-publish","format-standard","hentry","category-curiosidades","odd"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paunJ5-7p","jetpack-related-posts":[{"id":500,"url":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/2009\/05\/19\/solucoes-do-questionario-memorial-do-convento\/","url_meta":{"origin":459,"position":0},"title":"Solu\u00e7\u00f5es Do Question\u00e1rio: “Memorial do Convento”","author":"Helena Sebastiana","date":"19 19+00:00 Maio 19+00:00 2009","format":false,"excerpt":"Solu\u00e7\u00f5es: 1.B 6.A 11.B 16.A 21.A 2.B 7.A 12.A 17.A 22.A 3.A 8.B 13.A 18.B ------ 4.A 9.B 14.B 19.A ------ 5.B 10.B 15.A 20.A -----","rel":"","context":"In "Curiosidades"","block_context":{"text":"Curiosidades","link":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/category\/curiosidades\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":402,"url":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/2009\/04\/30\/visita-de-estudo-a-lisboa-mafra-e-obidos\/","url_meta":{"origin":459,"position":1},"title":"Visita de Estudo a Lisboa, Mafra e \u00d3bidos","author":"Helena Sebastiana","date":"30 30+00:00 Abril 30+00:00 2009","format":false,"excerpt":"Visit\u00e1mos muitas coisas, todas elas maravilhosas, mas, sem d\u00favida, as coisas de que mais gost\u00e1mos foram o Mosteiro dos Jer\u00f3nimos, o Pal\u00e1cio Nacional e Convento de Mafra e a Vila de \u00d3bidos. O facto de estar mau tempo, n\u00e3o nos impediu de ver tudo isto. Em rela\u00e7\u00e3o ao Mosteiro dos\u2026","rel":"","context":"In "Viagens de estudo"","block_context":{"text":"Viagens de estudo","link":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/category\/viagens-de-estudo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":299,"url":"https:\/\/blogs.ess-edu.pt\/ap12a2008\/2009\/02\/26\/convento-de-mafra\/","url_meta":{"origin":459,"position":2},"title":"Convento de Mafra","author":"Helena Sebastiana","date":"26 26+00:00 Fevereiro 26+00:00 2009","format":false,"excerpt":"Mandado construir por D. Jo\u00e3o V, em 1717 e terminado em 1730, o Real Convento de Mafra \u00e9 o mais importante monumento do barroco portugu\u00eas, considerado uma das 7 Maravilhas de Portugal (2007) e classificado como um Monumento Nacional em 1910. Em 1807, no reinado de D. 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